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Japanese ceramic legacy unfolds in Indian Museum

Kolkata, Dec 4 (UNI) From tea bowls and food vessels to sculptural forms, a mesmerising slice of Japan's ceramic heritage is on show at the Indian Museum with the opening of an exhibition that charts the journey of Yakishime pottery from humble household utility to refined sculptural artistry.
Yakishime - firing unglazed wares at high temperatures - is said to be one of the most basic means to produce ceramics. The tradition embodied in these primordial wares continues unbroken to this day.
The exhibition brings together more than 80 exquisite works created by some of Japan's foremost ceramic artists, including Abe Anjin, Isezaki Koichiro. Isezaki Jun, Uchida Koichi, Kakurezaki Ryuichi, Kato Tsubasa, Kaneshige Toyo, Kaneshige Yuho, Kurada Taizo, Kale Ryoji, Tsujimura Shira, Yamamoto Toshu and Wakasugi Seika. Their creations range from tea bowls and food vessels to sculptural forms that show how a traditional craft has evolved into a refined artistic language.
The showcase, presented by the Consulate General of Japan here in partnership with the Indian Museum and the Japan Foundation, invites visitors to experience the rustic elegance and philosophical depth of Yakishime pottery.
Speaking at the inauguration on Wednesday, Japan's Consul General here Ishikawa Yoshihisa explained why Yashime holds such a special place in Japanese culture.
"Yakishime is more than just a ceramic technique; it's a reflection of Japanese culture and philosophy, emphasising simplicity, imperfection, and the beauty of nature. Because fire affects each piece differently, every work turns out distinct."
He highlighted three key pathways in appreciating the art - exploring the world of Yakishime ceramics in traditional Japanese tea ceremonies, its use in the traditional serving of traditional cuisine and its reinvention by contemporary ceramicists.
The exhibition presents the history of Yakishime wares from the earliest examples to the present through Yakishime tea vessels, food vessels, and works that are transformations of Yakshime into non-utilitarian objects d'art. It aims to provide an excellent opportunity to communicate the distinctively Japanese sensibility and aesthetic to the people of other lands.
Indian Museum Director Arijit Dutta Choudhury described the exhibition as another milestone in Indo-Japanese cultural collaboration. "I think this cultural exchange is very important. Understanding the art, the culture, and the heritage of a country and the common heritage that we have, I think that it is very important to take it forward and ensure the next generation gets to know what this is all about."
Dutta Choudhury reflected that pottery in both worlds shares a common story, born from need and refined into beauty.
Deputy Consul General Katsunori Ashida spoke on the evolving design sensibilities within Yakishime. "What was once defined by simplicity has blossomed into intricate forms and expressive artistry.
He added that the Japanese philosophy of wabi-sabi, which sees beauty in imperfections, continues to guide this evolution. Rough edges or slightly irregular shapes, he pointed out, are intentional and meaningful, not mistakes. UNI NST SSP
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